Quotes, Books, & Articles
Quotes
"I count myself lucky and proud to have studied with Mr. Pattison. I would not be the writer I am today without his teaching and his unique and comprehensive understanding of language, rhyme, rhythm, and structure."
- 3-time Grammy winner Gillian Welch
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"Pat Pattison does the impossible. He takes the mystery out of songwriting without taking the heart out of it."
- David Wilcox
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"I took a class with a great teacher named Pat Pattison... I learned a lot in that class...and I still read that book, Writing Better Lyrics. I think it's great."
- John Mayer
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"This was the best 2 days a songwriter could spend. By lunchtime Saturday, after two and a half hours, I learned more than I had in 35 years of playing and writing music. And it just kept getting better."
- Brian Ralston
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"Working with Pat on my songs has been an essential part of my songwriting process. Pat is a master at asking the right questions to pinpoint what may seem like small tweaks, but in the end, are huge revelations, taking my songs to a whole new level. I honestly believe that Pat is the best songwriting teacher out there. Working with him has made me a much better writer, performer, and singer. I'm always afraid to bring him new material, because I know something I think is done, once put to the Pat test, just needs a bit more work. But in the end, the SONG is better for it. He is an essential mentor for me."
- Amy Speace
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"Last year, I read a book called “Writing Better Lyrics” by Pat Pattison that completely reshaped the way I look at songwriting. (Please do yourself a favor and Amazon Prime it ASAP!) Just as an athlete prepares for a game with a proper warm-up, I’ve learned to start my day with writing. I picked up a black Moleskine notebook and began writing freely without worrying about meter or rhyme scheme as a way to reflect on my thoughts or my day. Not only has this practice allowed me to get the creative juices flowing each morning, but I now have a notebook full of memories to look back on…"
- Madison Kozak
Songwriting Without Boundaries
Writer's Digest Books, 2011
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Writing Better Lyrics
Writer's Digest Books, 2nd Edition, 2009
1st Edition, October, 1995
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The Essential Guide to Lyric Form and Structure
Formerly known as: Managing Lyric Structure
Berklee Press, distributed by Hal Leonard, January, 1992
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The Essential Guide to Rhyming
Formerly known as: Rhyming Techniques and Strategies
Berklee Press, distributed by Hal Leonard January, 1992
Books
Students
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Gillian Welch: 3-time Grammy winner
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John Mayer: 7-time Grammy winner
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Tom Hambridge: 2-time Grammy winner
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Imagine Dragons
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Karmin: Epic Records recording artist
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American Authors: Island Records recording artist
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Liz Longley: Sugar Hill Records recording artist
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Charlie Worsham: Warner Brothers recording artist
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Betty Who: RCA Records recording artist
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Justin Tranter: Janelle Monae, Rihanna
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Kami Lyle: MCA recording artist
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Joe Doyle: Number 1 songwriter, BMG
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Holly Palmer: Reprise recording artist
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Scarlet Keys: Warner Chappell
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Dillon Dixon: Warner Chappell
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Andrea Stolpe: Almo Irving
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Greg Becker: Almo Irving
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Tim Jenkins: BMG
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Neil Diercks: A&R at Warner Chappell Music
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Ben Groff: A&R, EMI LA
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Ted Lowe: A&R Sony, LA
...and many more working in bands, as professional pluggers and managers, and on the staffs of major publishing houses and record labels.
American Songwriter Magazine
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Americana: Uncharted Territory
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Berkleemusic's Pat Pattison Takes Songwriters to School
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Co-Writing: The No-Free Zone
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"Down The Rabbit Hole": How to Improve Phrasing in Your Songwriting
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Knitting A Sonic Fabric, Part 1
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Knitting A Sonic Fabric, Part 2
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Motion Creates E-Motion in Songwriting
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Rhyme Schemes: Same Song, Different Journeys
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Rusty's Collar
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Sense-Bound Language: Fiery Rain and Meteors
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Size Matters: A Study in Prosody
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Surviving Rhyme: Meeting the Family
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The Prosody of Mystery in Mystery Train
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Tools, Not Rules
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Home And Studio Recording Magazine:
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Better Rhymes with less pain (Part One)
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Better Rhymes with less pain (Part Two)
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Put All Your Verses to Work
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Hook Placement and Focus
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Making Metaphors
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Writing for Singers
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The Great Balancing Act
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Object Writing: The Art of the Diver
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Learning to Say No: Developing Worksheets
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Verse Development and Power Positions
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The Sleeping Puppy
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Saying What You Mean
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Verse Development: Travelogues
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Form Follows Function: Building the Perfect Beast
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Neutralizing Repetition
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Looking for the Perfect Match, Part I
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Looking for the Perfect Match, Part II
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Point of View: Second Person and the Hangman
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Point of View: Second Person as Narrative
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Dialogue and Point of View
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Something in Common
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Song Forms: (Im)potent Packages
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Song Forms: (Im)potent Packages II
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Process, Part 1
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Process, Part 2
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Performing Songwriter Magazine:
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Verse Development and Power Positions
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The Sleeping Puppy (A Case Study)
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Form Follows Function: Building the Perfect Beast
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Saying What You Mean
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LASS Musepaper:
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Surviving Rhyme, Part 1
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Surviving Rhyme Part 2